Ghede: Guerrier Extraordinaire #1: Pages 25-26

Page 25, 5 Panels- Kiwiko's Bedroom Panel 1: Same setting/layout as the previous panel, more minutes passing by. Kiwiko's level of pleasure increasing with each passing second. Her body, along with Ghede's, turning to the side as if they were both in space. As for the Voodoo specter, she has now made her way to the middle of the human woman's stomach well on her way to her pleasure zone, letting out exclamations of love throughout. Panel 2: Slight close-up on Kiwiko a second later. Her breasts sloping over in an non-overly sexualized manner to the left side in coordination with the rest of her body. You can see the back of Ghede's head as she continues her work. KIWIKO [Cont., increasingly aroused; translated from Japanese]: Oh yes...deeper... Panel 3: Same setting as the previous panel. The layout pulls back slightly in order to see Ghede moving back up toward Kiwiko for one passionate kiss. Their bodies contorting into a bit of a fetal position. You can hear the moans of passion coming out of the Japanese woman's mouth growing louder just before they lock lips. KIWIKO [Cont.]: Deeper...! Panel 4: Cut to a shot from Kiwiko's POV a second later as she is the 'Top' of the pairing. We see Ghede's lips locked now passionately with the young human woman's. You can hear aroused moaning coming from both sides. Her silver eyes closed at this point, forming a pair of curved lines which look like the rings inside an oak tree. KIWIKO [Cont.]: Yes...Yessss.... Panel 5: Same setting/layout as the previous panel. The window appears closer in the background, along with some other fixtures and accessories in the room. We see near the foreground around Kiwiko's stomach Ghede's arm descending wrist half into her body. KIWIKO [orgasmic scream]: YES! Page 26, 6 Panels- Kiwiko's Bedroom Panel 1: Action shot a split second later of the young couple, locked in each other's tender embrace. Kiwiko's orgasmic scream still continues onward, reaching its auditory peak. There's also a shockwave that spreads out from Ghede's body, shaking the young human woma and hitting and shaking every edge of the bedroom as well as breaking anything harder than glass in the room. Panel 2: Cut to a few moments later in a similar setting and layout as the previous panel. After the scream and its requisite, beautiful shockwaves dissipate, the couple (still locked up in passionate embrace) fall onto the bed, shaking it to the point you can see the mattress collapse in on itself. Panel 3: Back to a shot from the edge of the bed a few moments later. Each side has, by this point, slid toward each side of the bed. There's Kiwiko on the left side, locked in a state of passionate bliss after the near hourlong lovemaking session. The lower half of her naked form covered tastefully by the bedsheets. Ghede can be seen in the right side of the bed, pushing herself up to a semi-seated position. KIWIKO [translated from Japanese]: Wow. Just...wow! GHEDE [translated from Japanese; agreeing]: I get that exclamation a lot. Panel 4: Slight close-up on the two lovers in a similar setting moments later. Ghede has achieved a seated position, looking down and over at Kiwiko who's still staring up into the sky with girlish glee. Her eyes only glancing slightly from the periphery toward the Haitian guerrier GHEDE [Cont.]: I hope the phasing process hasn't interrupted any organs or normal bowel functions. KIWIKO: Not at all. Everything feels fine. GHEDE: Good...good! Panel 5: Same setting/layout as the previous panel. A few minutes of silence have passed between the two of them. Suddenly, a cheeky, flirty smile comes back across Ghede's face. She begins to reach out toward Kiwiko as she speaks. Her exterior back to its normal, jet black androgynous layout. GHEDE [flirty]: Are you open for a second round, beautiful? KIWIKO [equally flirty grin, glancing down at the bed as she gets back up]: The bed's half wrecked... Panel 6: Slight close-up on Kiwiko a second later. You can see her left hand pressing herself back in such a manner to push herself forward toward the waiting arms of the Voodoo specter. Her naked flesh only somewhat on display as she moves, gently touching and gliding up Ghede's arm. KIWIKO [Cont.]: But I think I'm up for a second round! Page 27, 8 Panels- Kiwiko's Bedroom/Street Corner Panel 1-3: A three-part set of panels showing the two lovers once more locked in the throes of passionate lovemaking. Their bodies already moving into the familiar, body contortioning positions that we saw in the previous page; all lit tastefully by the glows of the lamps that are still operating. Starting in Panel 2, we hear a vibration coming from Ghede's pants region. The vibration evolves a split second later in the next panel into the full ring of a smart phone, aka Molltach. In short, the Molltach is unlike any other smart phone that is known to mortal man. Our titular heroine, however, tries to block the noise out by Panel 3 while their bodies ascend skyward. GHEDE [thought bubble, Panel 2; annoyed]: Oh, for fuck's sake...now?! GHEDE [Cont., thought bubble; Panel 3]: Whoever Kazzie's sent here to get me better be patient... Panel 4: Same setting/layout as the previous panel. The Voodoo specter has pulled out the phone, a smartphone-sized device with a bright screen and what appears to be Gaelic script on the back. As this all goes on, the furtherance of speech that appears to be coming from Kiwiko is heavily drowned out by the message appearing on the phone. In a way, it represents how Ghede has all but checked out of the conversation. GHEDE [Cont., thought bubble]: And not skittish! Panel 5: Cut to a shot outside Kiwiko's apartment in the somewhat bright illumination of mid-afternoon. A beautiful Rolls Royce hardtop is parked across the street from the young woman's building. We see the back of a light brown suit belonging to who we assume is the person behind the mysterious message; someone of great means, or connected to those of great means. CAPTION: An Hour Later Panel 6: Same setting as the previous panel. The layout pulls out, particularly the right side of the panel view, where we see Ghede's emergence in the scene next to the back of the car. She glares over in the direction of the unidentified subordinate who turns his head in the direction of the Haitian specter. GHEDE [translated from Japanese]: So, Kazzie sent an errant boy...of course! DRIVER [translated from Japanese]: My name is Mace, Miss Ghede. I am Mr. Ozawa's Assistant. Panel 7: Cut to a shot a moment later of the nondescript subordinate Driver, turned toward the powerful Guerrier. The car can be seen somewhat along the side of the panel view as he waits patiently for his fare. DRIVER [Cont., to Ghede]: I left you three messages on your phone. Did you not receive them? GHEDE [Off-Panel]: I was...busy sampling the local flavor. Now, quick question-- Panel 8: Action shot of the office man with no name as he turns around to get into the front door of the car. We also see Ghede phasing through toward the passenger side of the car. She looks over at the Driver as she moves. GHEDE [to the Driver, smirking]: Has your boss upgraded the liquor cabinet since last I was forced into the same place as him?