The Community, Issue 12: Part 3.2
Page 299 Panel 1: Alexander grins slyly, watching the data quickly scrawl down the holographic screen; a sense of confidence returning to his face.
WALSH
(to the A.I.) I definitely wanna hear more of this.
Panel 2: Cut to a shot of Celia in the cell down in the basement, bound by a pair of super strong shackles bolted to the wall. You can see the bruises on her face from the battle, along with some others that followed afterward.
Caption
(Cont., Walsh)
"First, there's the matter of three little bugs to squash!"
Panel 3: Action shot of a pair of heavily armored officers stepping inside the cast iron door. You can see one of them is holstering a burly looking device shaped like a baton.
CELIA
(chuckles, Off-Panel; translated from Portuguese) Here I thought you piggies forgot all about me...
Panel 4: Back to Celia in the same setting/layout as Panel 2. She's glancing over at the officers with a boastful grin on her face.
CELIA
(Cont., to the officers) Is this where you guys pop me out at the parade before getting axed? 'Cause I'd love one last wash, get some bright pink highlights...
Panel 5: Same setting/layout as the previous panel. In the middle of her boast, we see a bolt of gray colored lightning come from off-panel right, striking her directly in the chest.
CELIA
(screaming) AGGHHH!
Panel 6: We move to a slight close-up on the senior officer a beat after firing; the barrel of his weapon still warm, and spilling out a stream of smoke.
SENIOR NR OFFICER
(to Celia, menacing; translated from Portuguese) You still believe you're going to survive the day, don't you? Sad...! Once you and your disgusting coven are disposed of, I promise you we will deal with your other associates in the shadows.
Page 300
Panel 1: Same setting/layout as the last panel of the previous page. The Senior Officer stops his forward press upon the message chirping in from his younger associate in the background.
NR DISPATCH
(from the walkie talkie speaker) Everyone up to ground level, now- we've got a weird flying saucer coming into view.
SENIOR NR OFFICER
(to the NR Officer) On our way, Dispatch.
Panel 2: As the officers leave, we move to a shot of Celia glances down in a bit of puzzlement at the news she overheard, shifting between possible explanations.
CELIA
(thought bubble) Sorta sounds like that thing Lynn has in her...
(chuckles, to herself) Son of a bitch...!
Panel 3: Back in Sacramento, we see Lynn in her apartment guiding the saucer as it glides through the town via remote control.
Caption
(Cont., Celia)
"Didn't think I could love that firm watermelon ass of hers more!"
LYNN
(focused) Amelia has pink and purple curly hair. I spot that, I know Jes will be nearby.
Panel 4: Cut to a shot of the screen itself; its camera panning the area in search of the target. You can see a little more of the street area, which straddles the area between high tech and down at home in terms of its design.
LYNN
(Cont., Off-Panel)
Not counting trying to find a way to somehow signal them it's me without getting--
Panel 5: Same setting/layout as the previous panel. The screen suddenly becomes jittery; a series of explosive sounds emanating from off-panel left.
LYNN
(Cont., shocked)
SHIT!