The Community, Issue 9: Part 4.4

PAge 231 Panel 1: A moment after he firmly is out of view, Amelia pulls out the vial of truth serum from inside her purse; her periphery focused on the old man to track when he'll be back

.

AMELIA

Here we go...

Panel 2: Action shot of the young woman pouring the contents inside the glass of beer Mr. Sanderson has been drinking all this time.

Panel 3: She places the empty vial back into her purse just as Leonard is walking back to the seat. The young woman looks up at the TV as she places the purse back out of view.

LEONARD

(pleasant, to Amelia) Sorry about that, Cora...where were we?

Panel 4: Later on in the night, we see the two of them walking out of the bar with the same level of camaraderie as has been the case throughout the page.

Caption

(Jesminder)

"It'll take a few minutes for the serum to take effect. Fair warning: if he's like his father (or any other man, truth be told)..."

Panel 5: A short time later, we see Leonard notice the trickery placed on him and start to fight back. You can see the front of a rideshare start to come into view from the left of the panel view.

Caption

(Amelia)

"I understand. I'll be ready."

Page 232

Panel 1: A three-part set of panels, consisting of a fight sequence that goes on moments after the end of the previous page. Amelia blocks a lunging uppercut from the older Mr. Sanderson, who starts looking a bit woozy now.

Panel 2: In the second part, a short time later, she reels backward a short distance as a result of a shot to the gut. You can see an equal amount of bruises on both sides at this point.

Panel 3: In the third part, moments later, Amelia comes back with a taser from her purse that she shoots squarely at Leonard's back, incapacitating him once and for all.

Panel 4: Same setting/layout as the previous panel. The young woman lifts the heavier attacker off the ground, grimacing as she does.

AMELIA

(grunts) Shoulda asked for a... levitation spell, too!

Page 233

Panel 1: Action shot minutes later, showing a now blindfolded Leonard being thrown by Amelia onto a chair in a bedroom somewhere. You can see a gray wall and part of a bland painting in the background.

Panel 2: Same setting/layout as the previous panel. She rips off the full face covering just as he's about to wake up again.

AMELIA

(Off-Panel) Hola, dum-dum. Let's skip past the pointless white rage deep inside you for once.

Panel 3: Cut to a shot of Amelia standing in front of him menacingly; the covering firmly gripped in her right hand. You can see part of another wall as well as the TV behind her in the background.

AMELia

(Cont., to Leonard) Now, tell me everything about your dealings with Alexander Walsh.